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Art 24 / 06 / 21

The Sea, the Sea, the Year-Round-Quality Sea

I love Għadira in the winter when it drizzles. When it is neither bustling nor garish and when, in its abandonment, it reminds me of the wide expanses of deserted beach and roaring waves that suit the cinema so well.

Konrad Buhagiar
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Features 28 / 03 / 21

Two Men in a Boat

As I was growing up, a young boy on an island colony during the Cold War, I was aware of a strange e...

Konrad Buhagiar
Features 17 / 12 / 20

Caravaggio and the Charisma Machine.

Of late I have been thinking a lot about Caravaggio. I’m not sure exactly why. Although the link i...

Konrad Buhagiar
Art 24 / 10 / 20

On Love, Locks and Lockdown

It’s Friday and the wind is picking up. I can hear its ominous whisper rising and falling through ...

Konrad Buhagiar
Art 22 / 07 / 20

Black Lives, Parisian Picnics and Art Matters

The focus is on the hitherto ignored figure of the black servant, who, rather than being perceived a...

Konrad Buhagiar
Features 21 / 05 / 20

Of Myths and Men

“He is not necessarily beautiful in himself but is made beautiful by the projected desire of his a...

Konrad Buhagiar
George Grosz, Daum marries her pedantic automaton George in May 1920, John Heartfield is very glad of it, 1920, Berlinische Galerie
Features 16 / 04 / 20

The Art of War and Remembering

Sometimes, after work, when I leave my office and turn the corner into a street lined with cafes and...

Konrad Buhagiar
Art 16 / 06 / 19

Beauty is a Simple Passion

“Beauty is a simple passion. But, oh my friends, in the end You will dance the fire dance in iron ...

Konrad Buhagiar
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